fuelgood [fyoo-uh lg00 d]: adjective; relating to or promoting an organic, soulful satisfaction; generated by various subgenres of soul diaspora mixed into blends.
This definition quite aptly refers to the latest fuelgood mix from Jay Boogie.
Some choice joints from Rapsody, Hit-Boy, Yancey Boys,Theophilus London, Dwele, House Shoes, Joey Bada$$, SWV, Isaiah Rashad and Robert Glasper are interspersed among vintage material from Quincy Jones, Caron Wheeler, A Tribe Called Quest, Jill Scott, Lalah Hathaway, Joi and a host of others.
This one-off explores the darker side of soul. In the last five years, a handful of new artists have emerged that have been categorized as “doom soul” or “urban emo”, which are really just catchphrases to identify an alternative approach to a familiar sound. The reality is that this sound has always been around and sweet misery brings together this myriad of sounds.
The Almighty Skratcher Group is a Canadian DJ collective that meet monthly to practice and hone the art of scratching and turntablism.
Founded in 2012 by Vancouver DJs/turntablists Paul Skratch (MunkeeMassv, No Luck Club, D.I.S.C.) and Mike Msa (Vancity Skratch Sessions), it has since expanded to add two more markets, Toronto and Winnipeg.
The SkratcherT0 chapter was initiated by DJ Dopey (MTV, Notes To Self, Turntable Monkz) and J-Tec (Turntable Monkz) last year, while the Winnipeg chapter was jumpstarted by Ill Jay 2 (USDJs) last month.
Skratcher Pegcity returns to the Graffiti Gallery on Sunday, March 15.
For more info on Skratcher Pegcity, hit up firstname.lastname@example.org. Log on to skratcher.ca.